{"id":644,"date":"2007-12-31T23:59:52","date_gmt":"2007-12-31T22:59:52","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=644"},"modified":"2022-01-19T23:15:35","modified_gmt":"2022-01-19T22:15:35","slug":"evenemang-2007","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/evenemang-2007\/","title":{"rendered":"Evenemang 2007"},"content":{"rendered":"<div id=\"happening\">\n<div id=\"text\">\n<h3><img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/upload\/lg_1192611107_jhjr_skk_A5.jpg\" alt=\"\" width=\"325\" border=\"0\" \/><br \/>\n21\/10 2007<\/h3>\n<h3>Jassem Hindi &amp; Jakob Riis duo<\/h3>\n<p>The French\/Lebanese electronic musician Jassem Hindi and danish laptop musician Jakob Riis first met at Ystad Art Museum, in southern Sweden, during a festival in september 2006. They quickly decided to continue the cooperation, and in february 2007 they met in Paris to do their first recording as a duo.<\/p>\n<p>Jassem Hindi, electronics.<br \/>\nWorks with lo-fi electro-acoustic material: diverted machines, amplified objects, contact mics, found tapes, no-fi field recordings, no input mixing board. The sound textures he develops travel from harsh noise to musique concr\u00e8te.<\/p>\n<p>Jakob Riis, laptop.<br \/>\nPlays MaxMSP equipped laptop where he has developed his own electro-acoustic software instrument to interact live with other musicians and surrounding sounds<\/p>\n<p>Konsert kl 18.00\u00a0<img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/piks\/divider.gif\" alt=\"\" border=\"0\" \/><\/p>\n<\/div>\n<div id=\"holehappening\"><\/div>\n<\/div>\n<div id=\"happening\">\n<div id=\"text\">\n<p><img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/upload\/lg_1190061644_puremanure%202.jpg\" alt=\"\" width=\"325\" border=\"0\" \/><br \/>\n29\/9 2007<\/p>\n<h3>PURE MANURE och TESSA&#8217;S HOLIDAY, Gallerinatten<\/h3>\n<p>F\u00f6rutom Julia och Petters utst\u00e4llning bjuder Sk\u00e5nes konstf\u00f6rening p\u00e5 spelningar av Tessa\u00b4s holiday och Pure manure.<\/p>\n<p>Pure Manure \u00e4r en kringresande zigenare som har sansen f\u00f6r sura toner (trivs b\u00e4st mellan D och C). Han har nu l\u00e4mnat sin orkester och k\u00f6r helt solo I en Mercedes med 24 fots caravan.<br \/>\nI baks\u00e4tet ligger en banus&amp;ibanes nylonstr\u00e4ngad gitarr, som inte har blivit st\u00e4mnd sedan den ramlade av lasset, ut I \u00d6stersj\u00f6n sensommaren 1992. Den blev p\u00e5 ett helt mirakul\u00f6st s\u00e4tt \u00e5terfunnen utanf\u00f6r Lofoten, under ett vinterbad v\u00e5ren d\u00e4rp\u00e5, men den var d\u00e5 helt om\u00f6jlig att st\u00e4mma.<br \/>\nEfter ett l\u00e5ngt uppeh\u00e5ll I Thailand har stj\u00e4rnorna f\u00f6rt denna \u00f6vertroiska naturman till Malm\u00f6.<br \/>\nHans starkaste p\u00e5verkningskraft \u00e4r naturmedicin fr\u00e5n de djupaste skogarna. De legendariska st\u00e4mbanden har blivit framslipade I rituella m\u00e4ssor hos Hi-Merim\u00e3 Indianerna I Amazonas.<br \/>\nNu som han k\u00f6r Rovanjemi-Malm\u00f6, har ur-ljuden blivit blandade med amerikanska folktoner, n\u00e4rmare best\u00e4mt som en syrlig country, I en v\u00e5gdal mellan Hank Willams och Dolly Parton.<br \/>\nN\u00e4r hans nattsvarta mustach rasslar I kamspellets molltonner, kan inget \u00f6ga h\u00e5lla sig tort.<\/p>\n<p>Smyglyssna g\u00e4rna p\u00e5 Pure Manure: www.myspace.com\/puremanure<\/p>\n<p>Tessa spelar in sin musik p\u00e5 en portabandspelare<br \/>\ni en kall och fuktig<br \/>\nk\u00e4llare i Malm\u00f6. Konstiga ljud p\u00e5 en gammal synt, ett ost\u00e4mt piano och<br \/>\neggs ackompanjerar hennes ironiska ord och bitterljuva s\u00e5ng med den<br \/>\nindiejazziga, Hope Sandoval-besl\u00e4ktade r\u00f6sten vilken \u00e4r sj\u00e4len i Tessa&#8217;s<br \/>\nholiday. Spelningen p\u00e5 Gallerinatten blir med gitarr, bas, egg och<br \/>\ntamburin.<br \/>\nKom, njut och upplev det str\u00e4va sensuella som Tessa&#8217;s holiday serverar.<br \/>\nSpelningen b\u00f6rjar kl 21.<\/p>\n<p>Kika g\u00e4rna p\u00e5 deras myspace sida: www.myspace.com\/tessasholiday<\/p>\n<p>kom sedan till oss, njut och skrik.\u00a0<img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/piks\/divider.gif\" alt=\"\" border=\"0\" \/><\/p>\n<\/div>\n<div id=\"holehappening\"><\/div>\n<\/div>\n<div id=\"happening\">\n<div id=\"text\">\n<p><img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/upload\/lg_1169405239_S.jpg\" alt=\"\" width=\"325\" border=\"0\" \/><br \/>\n23\/2 &#8211; 24\/2 2007<\/p>\n<h3>Med en k\u00e4nsla av<\/h3>\n<p>V\u00e4lkommen p\u00e5 vernissage och katalogrelease av SVERIGES KONSTF\u00d6RENINGARs Grafikbank, p\u00e5 Sk\u00e5nes Konstf\u00f6rening, Bragegatan 5 i Malm\u00f6 den 23-24 februari, vernissage fredag 17-21, l\u00f6rdag \u00f6ppet 13-16.<\/p>\n<p>L\u00e4s mer om Grafikbanken p\u00e5:<br \/>\nhttp:\/\/www.sverigeskonstforeningar.nu\/grafikbanken\/ \u00a0<img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/piks\/divider.gif\" alt=\"\" border=\"0\" \/><\/p>\n<\/div>\n<div id=\"holehappening\"><\/div>\n<\/div>\n<div id=\"happening\">\n<div id=\"text\">\n<p><img decoding=\"async\" src=\"https:\/\/skaneskonst.se\/upload\/lg_1170146929_default_200x140.jpg\" alt=\"\" width=\"325\" border=\"0\" \/><br \/>\n19\/1 &#8211; 20\/1 2007<\/p>\n<h3>Peter Johansson och Barbro Westling<\/h3>\n<p>\u201dBergman Horror Show\u201d en f\u00f6rest\u00e4llning med och av Peter Johansson och Barbro Westling.<\/p>\n<p>En sm\u00e4rre f\u00f6rest\u00e4llning i ljud och bild med gammalt som framst\u00e5r n\u00e4stan som nytt. Vad \u00e4r v\u00e4rst?<\/p>\n<p>&#8220;I\u00b4m looking for a way out. But all ways out are closed.<br \/>\nIf you know what I mean.&#8221;<br \/>\n(From the Life of the Marionettes)<\/p>\n<p>19-20 januari kl. 16, en 25 min performance som du\/ni b\u00f6r boka plats till snarast. Endast 20 personer f\u00e5r plats \u00e5t g\u00e5ngen.<br \/>\nFri entr\u00e9!<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Evenemangsprogram 2007<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-644","post","type-post","status-publish","format-standard","hentry","category-evenemang"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":2,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/644\/revisions"}],"predecessor-version":[{"id":8351,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/644\/revisions\/8351"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}