{"id":4915,"date":"2020-01-17T16:24:14","date_gmt":"2020-01-17T15:24:14","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=4915"},"modified":"2022-01-05T13:20:09","modified_gmt":"2022-01-05T12:20:09","slug":"ikram-abdulkadir","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/ikram-abdulkadir\/","title":{"rendered":"Ikram Abdulkadir \u2013 Vi m\u00f6ts i paradiset"},"content":{"rendered":"\r\n<h3><!--EndFragment-->Ikram Abdulkadir \u2013 We Will Meet Again in Paradise<br \/>Sven and Ellida Hjort\u2019s grant exhibition<\/h3>\r\n<p><br \/>January 24\u2013February 23, 2020<br \/><br \/><\/p>\r\n<p>Ikram Abdulkadir has been sharing her pictures on the Instagram account <a href=\"https:\/\/www.instagram.com\/ikramianism\/\">@ikramianism<\/a> since 2017. Now for the first time, she is presenting her work in a solo exhibition at Sk\u00e5nes konstf\u00f6rening.<\/p>\r\n<p><em>We Will Meet Again in Paradise<\/em> is a photographic series produced specifically for this occasion. Friendship and sisterhood are at the core of Abdulkadir\u2019s art practice \u2013 a sense of belonging forged through the experience of being a young black Muslim woman. Her use of composition, color and light foregrounds the wisdom and strength of those she portrays. With <em>We Will Meet Again in Paradise<\/em>, Abdulkadir makes a subtle tribute to her ancestors while celebrating the beauty of her loved ones. In this way she inscribes herself in a history of collective resistance: an act of self-affirmation where young Muslims are depicted on their own terms.<\/p>\r\n<p>In connection with <em>We Will Meet Again in Paradise<\/em>, Ikram Abdulkadir will release a publication edited and designed by Naima Bashir from <em>SAKINA Magazine<\/em>. It includes contributions by Liban Abdule and Matthew Rana.\u00a0<\/p>\r\n<p><strong>Ikram Abdulkadir<\/strong> (born 1995 in Nairobi) is a Malm\u00f6-based photographer and poet. In 2017, she was one of the finalists of Ortens b\u00e4sta poet. Her poems have been published in the anthology <em>Revolution Poetry<\/em> and Mariama Jobes\u2019 <em>Sannu<\/em>, among others. She was invited to Nachla Libre\u2019s <em>Artist Talks<\/em> at Botkyrka Konsthall, and has participated in talks at G\u00f6teborgs Konsthall as well as Hammarkullen Konsthall. Abdulkadir\u2019s photographic work has have been published in <em>Vice Arabia<\/em>, <em>Paletten<\/em>, <em>SAKINA Magazine<\/em> and <em>VOKS<\/em>.<br \/><a href=\"https:\/\/www.ikramianism.com\/\">https:\/\/www.ikramianism.com\/<\/a><\/p>\r\n<p>The exhibition is curated by Anna Wahlstedt and Jari Malta.<\/p>\r\n<p>Ikram Abdulkadir is this year\u2019s recipient of the Sven and Ellida Hjorts Exhibition Grant. The grant is awarded annually to an emerging artists based in Sk\u00e5ne. Hanni Kamaly was the first recipient of the grant in 2017, followed by LealVeileby (artist duo consisting of Ant\u00f3nio Leal and Jesper Veileby) in 2018. The recipient is chosen by a committee appointed by the board of Sk\u00e5nes konstf\u00f6rening. The 2019 committee consisted of Anna Wahlstedt (former board member of Sk\u00e5nes konstf\u00f6rening), Jari Malta (Sk\u00e5nes konstf\u00f6rening) and Matthew Rana (art critic at <em>Kunstkritikk<\/em>, <em>frieze<\/em>).<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Ikram Abdulkadir has been sharing her pictures on the Instagram account @ikramianism since 2017. Now for the first time, she is presenting her work in a solo exhibition. We Will Meet Again in Paradise is a photographic series produced specifically for this occasion. Friendship and sisterhood are at the core of Abdulkadir\u2019s art practice \u2013 a sense of belonging forged through the experience of being a young black Muslim woman. Her use of composition, color and light foregrounds the wisdom and strength of those she portrays. With We Meet Again in Paradise, Abdulkadir makes a subtle tribute to her ancestors while celebrating the beauty of her loved ones. In this way she inscribes herself in a history of collective resistance: an act of self-affirmation where young Muslims are depicted on their own terms. <\/p>\n","protected":false},"author":1,"featured_media":4916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-4915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/4915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=4915"}],"version-history":[{"count":6,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/4915\/revisions"}],"predecessor-version":[{"id":6469,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/4915\/revisions\/6469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=4915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=4915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=4915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}