November 17\u2013December 10, 2017<\/p>\n
In her artistic works, Hanni Kamaly investigates human consciousness, subjectivity and dehumanization, by examining how representations of the human body relate to ideologies of racism and colonialism. Kamaly\u2019s process is research based and responds to news events, science fiction, museums and post-colonial theory, which are made evident in her sculptures, video, and performance works.<\/p>\n
At Sk\u00e5nes konstf\u00f6rening, Kamaly is presenting new sculptures alongside a new video work. In the exhibition, metal sculptures move between the realm of dead material and life \u2013 through their materiality and form they become android-like creatures in the space. The sculptures embody a tension between strength and fragility, as their verticality is a precarious balancing act. In her new video work, Kamaly examines the collecting of human body parts in museums, sampling material from historical collections, film clips, and her own text. A mind-map connecting the colonial past with the present grants a critical perspective on the impact of historical events and taxonomic systems.<\/p>\n
As part of the exhibition a publication with texts by Hanni Kamaly, Joa Ljungberg, Iman Mohammed and Guido Santandrea will be released alongside a performance at Sk\u00e5nes Konstf\u00f6rening.<\/p>\n
Hanni Kamaly is this year\u2019s recipient of the Sven and Ellida Hjorts Exhibition Grant. Starting in 2017, Sk\u00e5nes konstf\u00f6rening will grant an annual stipend to a young artist based in Sk\u00e5ne. The artist is awarded 20 000 SEK and receives a production fee to produce an exhibition at Sk\u00e5nes konstf\u00f6rening. A committee appointed by the board at Sk\u00e5nes konstf\u00f6rening chooses the recipient. The committee of 2017 consisted of Albin Hillervik (Sk\u00e5nes Konstf\u00f6rening), Thore Sonesson (Sk\u00e5nes konstf\u00f6rening) and Joa Ljungberg (Curator, Moderna Museet Malm\u00f6).<\/p>\n
The exhibition is curated by Albin Hillervik and Anna Wahlstedt.<\/p>\n
<\/p>\n
Hanni Kamaly<\/strong> is educated at the Bergen Art Academy, International Academy of Art Palestine in Ramallah and Malm\u00f6 Art Academy.\u00a0 She has exhibited her works in solo exhibiton at Almanac Projects (London), All Welcome (Vilnius) and Tag Team Studio and participated in solo exhibitions at Malm\u00f6 Art Museum, Galleri Arnstedt (\u00d6stra Karup), S\u00f6lvesborgs Kunsthalle, Palladium (Malm\u00f6) among others. She has had residencies at IAC (Malm\u00f6) and Rubert Centre of Arts (Vilnius) and in 2017 she taught within the course The World Turned Upside Down: art and ethics in the rise of the Stone Age South<\/em> with professor Sarat Maharaj at Malm\u00f6 Art Academy.<\/p>\n","protected":false},"excerpt":{"rendered":" Starting in 2017, Sk\u00e5nes konstf\u00f6rening grants an annual stipend to an artist to produce an exhibition. This year’s recipient is Hanni Kamaly.<\/p>\n","protected":false},"author":1,"featured_media":3070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[90,91,92,79],"class_list":["post-2805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-utstallning","tag-fond","tag-stipend","tag-utstallning","tag-exhibition"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=2805"}],"version-history":[{"count":12,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2805\/revisions"}],"predecessor-version":[{"id":12405,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2805\/revisions\/12405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=2805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=2805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=2805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}