{"id":2322,"date":"2017-05-24T09:51:05","date_gmt":"2017-05-24T07:51:05","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=2322"},"modified":"2022-01-19T22:49:15","modified_gmt":"2022-01-19T21:49:15","slug":"forelasning-med-catharina-thorn-urbana-frontlinjer","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/forelasning-med-catharina-thorn-urbana-frontlinjer\/","title":{"rendered":"Lecture: Catharina Th\u00f6rn – Urbana frontlinjer"},"content":{"rendered":"

Lecture: Catharina Th\u00f6rn – Urbana frontlinjer<\/h3>\n

Free entrance
\n19-21<\/p>\n

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In times when gentrification has become the dominant form of urban regeneration one might believe that it is a part of the “natural development” of the city, benefiting all. Words like: “renewal”, “inclusion”, “mixed city”, “attractivity”, “sustainable urban development” all casts a mystifying veil, concealing the fact that gentrification benefits certain groups at the expense of others. In these processes aesthetics, art and culture have a crucial\u00a0roll\u00a0to play.<\/p>\n

This lecture explores how urban frontiers are created and how gentrification is both produced by, and is producing, a unequal city.<\/p>\n

Catharina Th\u00f6rn<\/strong> is a researcher at the Department of Cultural Sciences at Gothenburg University. Together with the documentary photographer Katarina Despotovic she has published the book\u00a0Den urbana fronten – En dokumentation av makten \u00f6ver staden<\/em>.<\/p>\n

Catharina Th\u00f6rn’s lecture is the last lecture in the first chapter of the lecture series Towards the post geographic<\/em>.<\/p>\n

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More about the lecture series:<\/h4>\n
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The map has long been a tool and a model to conceive and position man spatially as well as\u00a0the objects\u2019 positions in relation to each other. An instrument to determine and establish the borders of what is a country, a road, a path or a stream. But also to draw dividing lines between the bodies to be defended and bodies perceived as threat. The European history of cartography is deeply related to the beliefs and ideas of the people who are outside a defined community. The question is how modernity\u2019s claim to establish such rigid borders and institutions has\u00a0changed in the near contemporaries when power over the means of communication technologies for monitoring and military resources increasingly has been privatized and individualized.<\/span><\/span><\/div>\n<\/div>\n
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In the lecture series three scholars examine issues of cartographic development, impact and materialization. The series brings together researchers from different fields together with the visiting audience investigate the specific impacts of the map creation story. All lectures are open to the public and admission is free.<\/span><\/span><\/div>\n<\/div>\n
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I en tid n\u00e4r gentrifering kommit att bli den dominerande formen av stadsdelsf\u00f6rnyelse \u00e4r det l\u00e4tt att tro att det handlar om en naturlig f\u00f6r\u00e4ndring av staden som kommer alla till gagn. Begrepp som: \u201df\u00f6rnyelse\u201d, \u201dinkludering\u201d, \u201dblandstad\u201d, \u201dattraktivitet\u201d, \u201dh\u00e5llbar stadsutveckling\u201d kastar en mystifierande sl\u00f6ja som d\u00f6ljer att gentrifering gynnar vissa grupper p\u00e5 bekostnad av andra. I dessa processer spelar estetik, konst och kultur en viktig roll. Denna f\u00f6rel\u00e4sning handlar om skapandet av urbana frontlinjer och hur gentrifering b\u00e5de n\u00e4rs och f\u00f6rst\u00e4rker en oj\u00e4mlik resurs- och maktf\u00f6rdelning i staden. Catharina Th\u00f6rns f\u00f6rel\u00e4sning \u00e4r den tredje och sista f\u00f6rel\u00e4sningen i f\u00f6rsta kapitlet av f\u00f6rel\u00e4sningsserien Mot det postgeografiska. <\/p>\n","protected":false},"author":1,"featured_media":2323,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-2322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenemang"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=2322"}],"version-history":[{"count":3,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2322\/revisions"}],"predecessor-version":[{"id":8326,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/2322\/revisions\/8326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=2322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=2322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=2322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}