November 18, 7 pm <\/p>\n The lecture will discuss how artists of the 1970s, used the home to frame political issues in their\u00a0art. Home environments have a complex background in art history. It is in many ways a neglected\u00a0<\/span>site, but nevertheless central to how art has evolved during the 20th century. Depictions of the\u00a0home was, for example, used by the Swedish artist Carl Larsson (1853-1919) in his national\u00a0romantic idylls from the turn of the century, as well as by pop artist, frequently using everyday and\u00a0household items in their art. The theme is also strongly influenced by gender stereotypes,\u00a0especially visible in the media reception of many artists work in the 1960s and 1970s.<\/p>\n MacLeod\u2019s lecture is primarily about artists who worked with, and questioned, the division of\u00a0labor, capitalism and artistic traditions in the 1970s, but will also offer historical perspectives, as\u00a0well as reflections on the question of the home in art in a globalized contemporary world.\u00a0Katarina Wadstein MacLeod is Associate Professor of Art History at S\u00f6dert\u00f6rn University College\u00a0in Stockholm, and as a lector in art history and theory at Konstfack, the University College of Arts,\u00a0Crafts and Design in Stockholm. She is also working as an art critic for the Swedish newspaper\u00a0Svenska Dagbladet. Macleod is currently working on a research project on the home as a theme\u00a0in Swedish art during the 1960s and 1970s.<\/p>\n The lecture is the first in the lecture series Conversation on Populism<\/em>, including four lectures at\u00a0Sk\u00e5nes Konstf\u00f6rening during 2015 and 2016. The series explores possibilities to focus on power\u00a0structures, integrity, populism and artistic autonomy within the field of art. The question asked is if\u00a0there is a way to do this without being populist, over educational, functional and target oriented.<\/p>\n Katarina\u00a0Wadstein MacLeod<\/strong> will in her introductory lecture reconnect to the historically important idea of\u00a0artistic autonomy, by highlighting the artistic practices of the 1960s and 1970s. Practices that in\u00a0many ways problematized the very notion of autonomy itself. The remaining lectures in Conversation\u00a0on Populism, will touch upon concepts such as strategic essentialism, and examine both models of\u00a0cultural resistance, as well as the way in which political populism infiltrate cultural institutions in\u00a0Sweden and Europe.<\/p>\n <\/p>\n Conversation on Populism is organized by Hans Carlsson and Angelica Falkeling together with Sk\u00e5nes Konstf\u00f6rening.<\/p>\n With support from Stockholms Arbetarinstitutsf\u00f6rening and Folkuniversitetet<\/p>\n","protected":false},"excerpt":{"rendered":" Katarina\u00a0Wadstein MacLeod: Hemmet i Konsten – estetik och politik November 18, 7 pm Free entrance Language: Swedish, some of the following lectures will be in english. The lecture will discuss how artists of the 1970s, used the home to frame political issues in their\u00a0art. Home environments have a complex background in art history. It […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-1357","post","type-post","status-publish","format-standard","hentry","category-evenemang"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/1357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=1357"}],"version-history":[{"count":4,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/1357\/revisions"}],"predecessor-version":[{"id":8643,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/1357\/revisions\/8643"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=1357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=1357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=1357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span>Free entrance
\nLanguage: Swedish, some of the following lectures will be in english.<\/span><\/p>\n