{"id":12634,"date":"2026-06-10T14:08:16","date_gmt":"2026-06-10T12:08:16","guid":{"rendered":"https:\/\/skaneskonst.se\/?p=12634"},"modified":"2026-06-12T16:06:08","modified_gmt":"2026-06-12T14:06:08","slug":"kommande-utstallning-madeleine-andersson-dagmar-moldovanu","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/kommande-utstallning-madeleine-andersson-dagmar-moldovanu\/","title":{"rendered":"Upcoming exhibition: Madeleine Andersson &#038; Dagmar Moldovanu"},"content":{"rendered":"<h3><b>Please join us for the opening of our winter exhibition.<br \/>\n<\/b><em>Madeleine Andersson &amp; Dagmar Moldovanu<\/em><\/h3>\n<h3><b>Save the date. Additional information and programme details will be updated on an ongoing basis.<\/b><\/h3>\n<h3>27 Nov 2026 \u2013 24 Jan 2027<\/h3>\n<p><b>Madeleine Andersson<\/b><span style=\"font-weight: 400;\">\u2019s (b. 1993, J\u00f6nk\u00f6ping based in Copenhagen) research practice proposes alternative historisations and speculative structures to expose and disrupt the psycho-social dimensions of knowledge production. Her multidisciplinary work across video, sculpture and performance blends together academic discourse, scientific instruments, pseudo-scientific excitement, social media and horror films in playful installations. This fun collection of things allows her to investigate the intersection of science and pop culture; their self-experimentation, quest of inner truth and struggle with perversion.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Andersson has previously exhibited at venues including The National Museum of Modern Art, Zagreb (2026); Klaipeda Biennial (2025); Kunsthall Trondheim (2025); Index \u2013 The Swedish Contemporary Art Foundation, Stockholm (2025); documenta institute, Kassel (2024); O\u2013Overgaden, Copenhagen (2024) and F\u00e4rgfabriken, Stockholm (2023).<\/span><\/p>\n<p><strong>Dagmar Moldovanu<\/strong> (b. 1986, Romania) considers everyday objects, from domestic spaces and systems of production to transportation and infrastructure, to be material agents. In her work, things not only act back on us through their ascribed function and design, but through an excess material potential beyond their immediate thinghood. By linking familiar objects to digital media, or altering their function and appearance, she turns a thing&#8217;s matter against itself. Other times, her work knocks on the wall between image and eye, forming a synaesthetic bridge between vision and matter.<\/p>\n<p>Moldovanu holds an MFA from Malm\u00f6 Art Academy and has exhibited at venues like Den Frie Centre of Contemporary Art, Copenhagen; Fuxia, Malm\u00f6; and Simian, Copenhagen, among others. She contributed a public artwork through the Anne-Marie Carl-Nielsen Programme for Art in Public Spaces (Odense, DK), participated in the Certificate Program in Art &amp; Curatorial Practice at The New Centre for Research &amp; Practice (US\/online), and co-runs Jennifee-See Alternate, Copenhagen.<\/p>\n<p><strong>Curator:<\/strong> Tawanda Appiah<\/p>\n<p><strong>Technicians:<\/strong> Linus Svensson, Jesper Veileby<\/p>\n<p>Image: <span style=\"font-weight: 400;\">Madeleine Andersson, <em>A mouth was the first laboratory<\/em>, film still, 2026; and Dagmar Moldovanu,\u00a0<i>Motion Picture Soundtrack<\/i>, film still, 2026.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please join us for the opening of our winter exhibition. Madeleine Andersson &amp; Dagmar Moldovanu Save the date. Additional information and programme details will be updated on an ongoing basis. 27 Nov 2026 \u2013 24 Jan 2027 Madeleine Andersson\u2019s (b. 1993, J\u00f6nk\u00f6ping based in Copenhagen) research practice proposes alternative historisations and speculative structures to expose [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-12634","post","type-post","status-publish","format-standard","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/12634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=12634"}],"version-history":[{"count":20,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/12634\/revisions"}],"predecessor-version":[{"id":12657,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/12634\/revisions\/12657"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=12634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=12634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=12634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}