{"id":11847,"date":"2025-11-02T11:28:06","date_gmt":"2025-11-02T10:28:06","guid":{"rendered":"https:\/\/skaneskonst.se\/?p=11847"},"modified":"2025-11-03T10:32:53","modified_gmt":"2025-11-03T09:32:53","slug":"performance-untitled-emotional-shadows-lydia-ostberg-diakite","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/performance-untitled-emotional-shadows-lydia-ostberg-diakite\/","title":{"rendered":"Lydia \u00d6stberg Diakit\u00e9: Untitled (shadow work)"},"content":{"rendered":"

Untitled (shadow work)
\nPerformance by Lydia \u00d6stberg Diakit\u00e9
\nNovember 7, 2025, 19.00-21.00
\n<\/span>Doors 19:00 \u25cf On stage 19:20 \u25cf 60 min<\/span><\/h3>\n

How does one move through a state of apathy and anxiety? Is it possible to escape embodied memories when the mind tries to forget and move on?\u00a0<\/span><\/p>\n

Untitled (shadow work) <\/em>explores the notion of trying as a way to navigate emotional noise and endure constant states of tension. The work negotiates with dissonance, and the absurdity of performing normalcy. It exists in the glitch, the liminal space of routine, and the ongoing double standards of something called reality.<\/span><\/p>\n

Lydia \u00d6stberg Diakit\u00e9<\/strong> is an artist whose practice explores emotional, political and fictional landscapes through choreography, performance, video, text, and installation. Working with intuitive knowledge and poetic association, her work moves through layered gestures,\u00a0 fragmented narratives and sampled elements to question and explore how experiences live in and through the body. Diakit\u00e9\u2019s ongoing practice centers on the body\u2019s capacity to hold, transform, and resist, opening up spaces between memory, representation, and existing.<\/span><\/p>\n

Based in Copenhagen, Diakit\u00e9 graduated from the Danish National School of Performing Arts in Dance and Choreography in 2017. Her work has been presented in a range of institutional and independent contexts including Moderna Museet (Stockholm), Nikolaj Kunsthal (Copenhagen), Berlin Biennale 11 (Berlin), among others.<\/span><\/p>\n

Choreographed and performed by Lydia \u00d6stberg Diakit\u00e9
\n<\/span>Composer: Tati au Miel
\nScenography\/Installation: Lydia \u00d6stberg Diakit\u00e9 and Lina Lundquist
\n<\/span>Poster: Hugo Chang Coffey<\/span><\/p>\n

This performance was commissioned as part of the series Beautiful Experiments<\/em>, curated by Tawanda Appiah. <\/span>Beautiful Experiments<\/em><\/a>\u00a0is a series of meditations by artists and art practitioners. It unravels form, unbuttons language, and embraces process as its central methodology. Resisting expectation, it turns towards the radical possibilities of imagination\u2014towards ways of living and creating the \u2018otherwise\u2019.<\/span><\/p>\n

Supported by \u00d6ppna Malm\u00f6, Malm\u00f6 City.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Untitled (shadow work) Performance by Lydia \u00d6stberg Diakit\u00e9 November 7, 2025, 19.00-21.00 Doors 19:00 \u25cf On stage 19:20 \u25cf 60 min How does one move through a state of apathy and anxiety? Is it possible to escape embodied memories when the mind tries to forget and move on?\u00a0 Untitled (shadow work) explores the notion of […]<\/p>\n","protected":false},"author":6,"featured_media":11848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-11847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performance"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=11847"}],"version-history":[{"count":12,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11847\/revisions"}],"predecessor-version":[{"id":11905,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11847\/revisions\/11905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/11848"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=11847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=11847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=11847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}