{"id":11698,"date":"2025-08-15T09:41:01","date_gmt":"2025-08-15T07:41:01","guid":{"rendered":"https:\/\/skaneskonst.se\/?p=11698"},"modified":"2025-09-02T07:55:34","modified_gmt":"2025-09-02T05:55:34","slug":"maison-de-la-danse-x-skanes-konstforening","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/maison-de-la-danse-x-skanes-konstforening\/","title":{"rendered":"Maison ouverte #7: Manuel Pelmus and Rachel Tess"},"content":{"rendered":"<h3><b>Maison ouverte #7: Manuel Pelmus and Rachel Tess<\/b><b><br \/>\n<\/b><b>Maison de la danse x Sk\u00e5nes konstf\u00f6rening<br \/>\n<\/b><b>Sep 5\u20136, 2025<\/b><\/h3>\n<p><strong>Free admission<\/strong><br \/>\n<strong>The event will be held in English.<\/strong><\/p>\n<p><strong>Curators: Fr\u00e9d\u00e9ric Gies and Albin Hillervik<\/strong><\/p>\n<p><strong>PROGRAM<\/strong><\/p>\n<p><strong>Sept 5 19.00\u201321.00<\/strong><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">19.00<\/span><i><span style=\"font-weight: 400;\"> Borderlines<\/span><\/i><span style=\"font-weight: 400;\">, performance lecture by Manuel Pelmus<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">20.00 Artist talk with Manuel Pelmus and Rachel Tess<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">21.00 Closing<\/span><\/p>\n<p><strong>Sept 6 16.00-20.00<\/strong><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">16.00 <\/span><i><span style=\"font-weight: 400;\">Flip Side<\/span><\/i><span style=\"font-weight: 400;\">, performance with Rachel Tess<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">19.15 Mingle with light food and drinks<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">20.00 Closing<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Flip side<\/span><\/i><span style=\"font-weight: 400;\"> includes the following solos:<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span>16.00\u201316.45: Some parts altered by Ulrich Ruchlinski<br \/>\n17.15\u201317.45: Visualizing the woman I want to become in the mirror by Fr\u00e9d\u00e9ric Gies<br \/>\n18.15\u201319.15: She Drifts She Charges by Sophia Mage<\/p>\n<p><span style=\"font-weight: 400;\">There is a 20 mins break between each solo. You can stay for all three solos or attend just one.<\/span><\/p>\n<p><strong>Maison ouverte #7<\/strong><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Maison de la danse and Sk\u00e5nes konstf\u00f6rening present a program with choreographers Manuel Pelmus and Rachel Tess, who delve into personal stories and explore the conditions of choreography. In the performance lecture <\/span><i><span style=\"font-weight: 400;\">Borderlines<\/span><\/i><span style=\"font-weight: 400;\">, Pelmus reflects on identities and boundaries from personal, artistic, and historical perspectives in a darkened room. Tess premieres <\/span><i><span style=\"font-weight: 400;\">Flip Side<\/span><\/i><span style=\"font-weight: 400;\">, in which 10 choreographers have been invited to each create a solo for her as a dancer, to be combined into varied, durational performances. Over the course of two days, the art space is filled with gestures and language that renegotiate established relationships between choreographer and dancer, between audience and stage.\u00a0<\/span><\/p>\n<p><strong>Borderlines<\/strong><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Concept, choreography, text: Manuel Pelmu\u015f<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Approx. 40 mins<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">Borderlines<\/span><\/i><span style=\"font-weight: 400;\">, Manuel Pelmu\u0219 revisits past performances and personal histories and aggregates notions of visibility and invisibility in connection to history and politics of representation. These histories playfully move back and forth in time and space, updating and reflecting on the notion of boundaries, whether they are boundaries between states or boundaries between artistic disciplines. The artist uses his own memories of the volatility of borders, also in regard to the fall of the Berlin wall. The performance lecture, which will be performed in complete darkness, addresses the hierarchy of senses and reflects on the dominance of the visual in our cultures. With <\/span><i><span style=\"font-weight: 400;\">Borderlines<\/span><\/i><span style=\"font-weight: 400;\">, Pelmus reconnects to his dance solo <\/span><i><span style=\"font-weight: 400;\">Preview <\/span><\/i><span style=\"font-weight: 400;\">(2007), which was also performed in a dark space.<\/span><\/p>\n<p><strong>Manuel Pelmu\u0219<\/strong><span style=\"font-weight: 400;\"> (born in Bucharest, works in Oslo) has a background in choreography and dance and is interested in ideas of living presence in exhibition contexts and explores the relationship between the human body, memory and the construction of history. He was awarded the Berlin Art Prize in 2012 for performing arts, and represented Romania at the 55th Venice Biennale in 2013 together with Alexandra Pirici. His works have been shown in numerous international museums and biennials, such as Palais de Tokyo (FR), MUNCH (DE), Tate Modern (UK), Centre Pompidou (FR), Para Site Hong Kong (HK), Kunsthalle Vienna (AT), Kiev Biennale (UA), Van Abbemuseum (NL), etc. He is currently vice rector for artistic research at the National Academy of the Arts Oslo.<\/span><\/p>\n<p><strong>Flip Side<\/strong><b><br \/>\n<\/b><span style=\"font-weight: 400;\">Concept: Rachel Tess<br \/>\n<\/span><span style=\"font-weight: 400;\">Choreography: Fr\u00e9d\u00e9ric Gies, Sophia Mage, Ulrich Ruchlinski<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Flip Side is an ongoing series of ten solos being created with and for dancer Rachel Tess between 2025\u20132027 by contemporary choreographers based in Sweden and abroad. Commissioned by Tess as a dance anthology, the title refers to the \u201cflip side\u201d or lesser-known \u201cB-side\u201d of a record. The solos can be combined as triptychs, allowing each presentation to emerge as a unique composition.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since 2013, Tess has created from the Scanian countryside with a focus on site responsive works, people and place. <\/span><i><span style=\"font-weight: 400;\">Flip Side<\/span><\/i><span style=\"font-weight: 400;\"> reflects this approach and is crafted to showcase her skills as a maturing performer, unearthing an artistry accrued over a long career in dance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2025, Tess invited Fr\u00e9d\u00e9ric Gies, Sophia Mage, and Ulrich Ruchlinski to create solos, with the only guideline being that she would follow the desires of the choreographers. At Sk\u00e5nes konstf\u00f6rening, the works are presented as a continuous dance of lived experience, drawing from an eclectic range of material\u2014including internet memes, angry women, an alien\u2019s reflection, a custom-built drum kit, references to dance history, and Tess\u2019s extensive movement archive.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The performance includes the following solos:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Visualizing the woman I want to become in the mirror<br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Choreography: Fr\u00e9d\u00e9ric Gies<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Some parts altered<br \/>\n<\/span><\/i>Choreography and music: Ulrich Ruchlinski<\/p>\n<p><i><span style=\"font-weight: 400;\">She Drifts She Charges<br \/>\n<\/span><\/i>Choreography: Sophia Mage<br \/>\nMusic: Simon Olderskog Albertsen<br \/>\n<span style=\"font-weight: 400;\">Costume: Sofia St\u00e5l<\/span><\/p>\n<p><strong>Rachel Tess<\/strong><span style=\"font-weight: 400;\"> (born in Portland, lives in Knislinge) is an American choreographer, dancer and curator. She is the Artistic Director of Milvus Artistic Research Center (MARC) in Knislinge and was the Curator of Live Art at Wan\u00e5s Konst (SE) from 2016\u20132022. She holds a BFA from The Juilliard School in New York City (2004) and an MFA from Stockholm University of the Arts (2013). Tess has danced for Les Grands Ballets Canadiens de Montr\u00e9al, the Gothenburg Opera Ballet and the Cullberg Ballet in Stockholm. She has been commissioned by Corpus (DK), Dansk Danseteater (DK), Norrdans (SE) and Sk\u00e5nes Dansteater (SE) and presented at Wan\u00e5s Konst (SE), River to River Festival, Lower Manhattan Culture Council (US), Baryshnikov Arts Center (US), Dansstationen (SE) and Br\u00e5djupa (SE). Tess is the recipient of Birgit Cullberg Grant (2019) and Region Sk\u00e5nes Kulturpris (2022) for her work as a choreographer, dancer and curator.<\/span><\/p>\n<p><strong>About Dance is ancient and Maison de la danse<\/strong><br \/>\nDance is ancient is an initiative for artistic creation and public encounters in dance and choreography led by Fr\u00e9d\u00e9ric Gies. Through DIA, established in Malm\u00f6 in 2019, Gies creates new works, tours his existing repertoire and presents a wide range of activities and public events in Malm\u00f6. Maison de la danse is DIA&#8217;s public context in the form of a nomadic platform for dance and choreography. MDD invites the audience to all stages of the artistic process by presenting performances, rehearsals, work in progress workshops, and artist talks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maison ouverte #7: Manuel Pelmus and Rachel Tess Maison de la danse x Sk\u00e5nes konstf\u00f6rening Sep 5\u20136, 2025 Free admission The event will be held in English. Curators: Fr\u00e9d\u00e9ric Gies and Albin Hillervik PROGRAM Sept 5 19.00\u201321.00 19.00 Borderlines, performance lecture by Manuel Pelmus 20.00 Artist talk with Manuel Pelmus and Rachel Tess 21.00 Closing [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":11699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-11698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performance"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=11698"}],"version-history":[{"count":18,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11698\/revisions"}],"predecessor-version":[{"id":11752,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11698\/revisions\/11752"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/11699"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=11698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=11698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=11698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}