This event is part of the public programme for our current exhibition, You could cut it with a knife: Hanni Kamaly, Melanie Kitti<\/strong>. It will be held in Swedish.<\/span><\/p>\n A conversation about the archaeology of the personal: About digging up memories and restoring them in order to display them, as in a museum. <\/span>About telling the same story in various ways, using different materials\u2014for what distinguishes a narrative told in a poem from one conveyed through a fresco?<\/span><\/p>\n A conversation about spells: Can one use spells as an artistic\/literary method to evoke images of a better world, where there are no hierarchies? And what does it mean to write in codes?<\/span><\/p>\n Johanne Lykke Naderehvandi<\/b> (b. 1987, Copenhagen) is a writer and translator. She debuted in 2017 with <\/span>Natten som foregick denna dag<\/span><\/i> and her latest novel <\/span>R\u00f6d sol <\/span><\/i>was published in 2023. The novel <\/span>Strega<\/span><\/i> from 2020 was nominated for the Nordic Council Literature Prize and the Premio Strega Europeo, among others. Her books have been translated into a wide range of languages.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Melanie Kitti in conversation with Johanne Lykke Naderehvandi Saturday 17 May 2025, 13.00\u201314.30 This event is part of the public programme for our current exhibition, You could cut it with a knife: Hanni Kamaly, Melanie Kitti. It will be held in Swedish. A conversation about the archaeology of the personal: About digging up memories and […]<\/p>\n","protected":false},"author":6,"featured_media":11541,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40],"tags":[],"class_list":["post-11536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenemang"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=11536"}],"version-history":[{"count":4,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11536\/revisions"}],"predecessor-version":[{"id":11543,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/11536\/revisions\/11543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/11541"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=11536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=11536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=11536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span>Melanie Kitti <\/b>(b. 1986, Sweden) is an artist, author, and community organiser educated at the Academy of Creative Writing, the Royal Danish Art Academy, and the Academy of Fine Arts in Oslo. She co-launched Destiny\u2019s, a gallery in Oslo (2016), and co-founded the multidisciplinary magazine Abhivyakti (2021). Her writing appears in the acclaimed anthology <\/span>Hjertet er en fold med heste<\/span><\/i> (2022), and her authorial debut <\/span>Halvt urne, halvt gral<\/span><\/i> (2022) was followed by <\/span>borte \/ borta<\/span><\/i> (2023). Kitti\u2019s work has been widely shown in solo and group exhibitions, including at Carl Eldhs Atelj\u00e9museum, O-Overgaden, Nasjonalmuseet, and ARIEL.<\/span><\/p>\n