{"id":10955,"date":"2024-03-10T09:24:39","date_gmt":"2024-03-10T08:24:39","guid":{"rendered":"https:\/\/skaneskonst.se\/?p=10955"},"modified":"2024-03-18T18:07:58","modified_gmt":"2024-03-18T17:07:58","slug":"looms-and-language-stacey-de-voe-x-paletten-art-journal","status":"publish","type":"post","link":"https:\/\/skaneskonst.se\/en\/looms-and-language-stacey-de-voe-x-paletten-art-journal\/","title":{"rendered":"Looms and Language: Stacey de Voe X Paletten Art Journal"},"content":{"rendered":"

Looms and Language: Stacey de Voe X Paletten Art Journal
\n<\/span>Artist talk and double publication release
\n<\/span>Friday 15 March, <\/span>18:30 \u2013 21:00<\/span><\/h3>\n

This event will be held in English and Swedish.<\/span><\/p>\n

Welcome to an evening where we celebrate language through the warp of the spoken word and the weft of the printed word.
\n<\/span>
\n<\/span>Artist talk<\/strong>
\n<\/span>The evening will begin with an artist talk by <\/span>Stacey de Voe <\/span>accompanying her current exhibition Under the Needle\u2019s eye (24.2\u201331.3) which takes its starting point from a lost textile industry; K\u00fcrzel\u2019s Factory (1896\u20131955) where Sk\u00e5nes konstf\u00f6rening\u2019s premises are located. Her presentation will unravel around several recurring themes within her practice including historicity, labor, collective memory, friendship and thread politics.<\/span><\/p>\n

Publication \u301c Under the Needle\u2019s Eye
\n<\/strong>Following the artist talk, de Voe will introduce the publication that coexists with her exhibition. There will be readings by two of the contributing authors Ina Nian and Emil Sandstr\u00f6m, followed by a conversation.<\/span><\/p>\n

Paletten #334
\n<\/strong>After a brief interlude, Paletten will take the stage and introduce their latest issue. \u201cSwedish cities are among the most segregated in Europe, but what does this mean for the critical discussion of art?\u201d Paletten issue #334 delves into this inquiry through a collaborative editorial process. Paletten Art Journal is an artistic research based art journal that was founded in 1940.<\/span><\/p>\n

Program<\/strong>
\n<\/span>18.30: Doors open
\n<\/span>18.45: Artist talk \u2013 Stacey de Voe
\n<\/span>(Break)
\n<\/span>19.30: Introduction to Stacey de Voe\u2019s publication including readings by Ina Nian and Emil Sandstr\u00f6m
\n<\/span>(Break)
\n20.05: Introduction to Paletten #334 by editors Merima Dizdarevi\u0107 and Patrik Haggren. Reading by Iggy Malmborg: \u201cF\u00f6rs\u00f6k om sk\u00e5despelarens paradox\u201d
\n<\/span>20.45: Mingle
\n<\/span>21.00: The End
\n<\/span><\/p>\n

Stacey de Voe\u2019s publication includes texts by Hanan Benammar, Mathias Cantzler, Makda Emabie, Helle Lindskog, Lisa Tracy Michalik, Ina Nian, Magnus Olofsson, Emil Sandstr\u00f6m, Kuba Szreder and Kathi Weeks designed by Anders Stockman (VarvVarv).<\/span><\/p>\n

Paletten #334<\/strong>
\nSwedish cities are among the most segregated in Europe, but what does this mean for the critical discussion of art? Daniel Terres and Patrik Haggren have asked this question through their work with Urban Konst at G\u00f6teborg Konsthall and wanted to create a space to investigate it collectively. They brought in Merima Dizdarevi\u0107 to mentor a group of young people with an interest in both art and power mechanisms. Thus was created Sk\u00e4lens tunga, a writing group that together and as individual writers discussed, read and wrote art criticism. This issue of Paletten is a collaboration where the group’s work was further extended to the editorial process, with Paletten’s editor Patrik Haggren and Merima Dizdarevi\u0107 joining as guest editors together with Sk\u00e4lens tunga. Contributors: <\/span>Siri Berzelius, Clava \/ Michael Goldbach, Merima Dizdarevi\u0107, Anna Ehrlemark, Zelal Erdal, Linda Eriksson, Jasmine Esfahani, Athena Farrokhzad, Denise Ferreira da Silva, Sara Garib, Bekim Ga\u0161i, Patrik Haggren, Jennifer Hayashida, Cornelia Hermansson, Amina Hocin, Laleh Kazemi Veisari, The Lapin King, Karl Katz Lyd\u00e9n, Susanne Leeb, Longest Night, Iggy Malmborg, Maral Mavizi, Mileta Mijatovi\u0107, Felicia Mulinari, Andria Nyberg Forshage, Lisa Nyberg, Frida Sandstr\u00f6m, Kerstin Stakemeier, Tara Talebsafa, Charlie Vince Jakobsson, Nora Wurtzel.<\/span><\/p>\n

Bios
\n<\/b>Stacey de Voe<\/strong>, b. 1988 \u2013 lives and works in Malm\u00f6. She works with site-specificity and the archive to investigate wider issues of historicity, labour politics, collective memory and friendship. Her works link archival material, personal narratives and fiction to evoke an awareness and understanding of our time. In her often relational process, she uses audiovisual and performative methods to stage speculative narratives. She received her Master’s degree from Malm\u00f6 Art Academy in 2023.<\/span><\/p>\n

Ina Nian<\/strong>, b. 1992 \u2013 is an artist based in Malm\u00f6. Nian has created a method called Black Noise that allows them to explore another side of the art world, the one that is often erased but not imperceptible, but governed by what frequency you can perceive. They use Black Noise as a guideline in their current artistic research process focusing on Sweden’s colonial iron trade history during the transatlantic slave trade. Their practice involves history, archival material and critical theory. <\/span><\/p>\n

Emil Sandstr\u00f6m<\/strong>, b. 1994 \u2013 lives and works between Malm\u00f6 and Paris. His work revolves around an interest in the different economies of language and image, moving between photography, sound, sculpture and text. Through a site-specific approach, ideas of circulation and translation are addressed: the infrastructures and information flows that facilitate and govern affective exchanges, and help shape power relations between the body and architecture. Sandstr\u00f6m received his Master’s degree from Malm\u00f6 Art Academy in 2022 and was co-founder and coordinator of Canopy, an artist-run exhibition space in Malm\u00f6, 2020-22. <\/span><\/p>\n

Merima Dizdarevi\u0107<\/strong> was born in Yugoslavia (Bosnia and Herzegovina) and lives in Malm\u00f6. She works with writing, translation, film, performance and other artistic expressions. She has studied the Master’s programme in Literary Design at Valand Academy and made her debut with the poetry book l\u00e5ngt fr\u00e5n \u00f6gat \u2013 l\u00e5ngt fr\u00e5n hj\u00e4rtat at Albert Bonniers f\u00f6rlag autumn 2022. In spring 2023, she supervised the course Sk\u00e4lens tunga.
\n<\/span><\/p>\n

Patrik Haggren<\/strong> works with the programme and urban art at G\u00f6teborgs konsthall, is a theory teacher at Gerlesborgsskolan in Bohusl\u00e4n and Paletten’s deputy editor.
\n<\/span><\/p>\n

Iggy Malmborg<\/strong> is an actor and director. He has been touring his own performances in Europe for 15 years and has participated in a number of film and TV productions in Sweden. In his own performances, he generally engages in taking apart the theatre situation and critically analysing its separate elements, often using the tradition of psychoanalysis. Each piece has a specific focus. Iggy Malmborg has worked with the imagination, the voice, and vision, and in his latest production SATAN, which premiered at Schauspiel Leipzig in 2023, illusion is in the centre. Using strategies comparable to minimalism, he sheds light on the politics of the theatre situation, reading it as a hierarchical machine with inherent patterns of inclusion and exclusion. <\/span><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Looms and Language: Stacey de Voe X Paletten Art Journal Artist talk and double publication release Friday 15 March, 18:30 \u2013 21:00 This event will be held in English and Swedish. Welcome to an evening where we celebrate language through the warp of the spoken word and the weft of the printed word. Artist talk […]<\/p>\n","protected":false},"author":6,"featured_media":10956,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[40,104],"tags":[],"class_list":["post-10955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenemang","category-publikation"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=10955"}],"version-history":[{"count":9,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10955\/revisions"}],"predecessor-version":[{"id":10985,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10955\/revisions\/10985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/10956"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=10955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=10955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=10955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}