Sept 23\u2013Oct 29, 2023<\/p>\n
Welcome to our Fall exhibition<\/p>\n
Vernissage Sept 22, 18-22
\n18.00: Doors open as part of Malm\u00f6 Gallerihelg
\n19.00: Inauguration<\/p>\n
On the pulse of water<\/strong> presents an anthology of video art by CUSS Group, Lisa Tan, Runo Lagomarsino, and Tabita Rezaire. It contemplates history, points of contact, language, affect, and satire, all unfurling through the fluid lens of the screen.<\/p>\n In the exhibition, water emerges as a protagonist, manifesting as it floats, crashes, and submerges. Simultaneously, its auditory presence resonates from gentle hissing to tumultuous roiling. Water possesses an allure with its effervescence, the rhythmic cadence of waves, and the quintessence of the colour blue. Yet, it remains feral with a power that commands reverence.<\/span>\u00a0<\/span><\/p>\n In <\/span>Waves<\/span><\/i> (2015), Lisa Tan engages in conversation with Virginia Woolf’s stream of consciousness writing and Gustave Courbet’s seascapes. Through rhythm, Tan manipulates image, text, and sound in the interrogation of liminality, technology, and hydro relations. Runo Lagomarsino poses the question, \u201cWho decides where the dividing line goes between you and me, them and us?\u201d In his evocative piece, <\/span>Europa Point<\/span><\/i> (2019), he focuses on the Strait of Gibraltar, investigating the Mediterranean Sea as both a fracture and a symbol of the world’s borders.\u00a0<\/span><\/p>\n Tabita Rezaire’s <\/span>Deep Down Tidal<\/span><\/i> (2017) delves into water’s role as a repository of memory. She unravels transoceanic networks and their political and technological affects; from fibre optic cables to sunken cities, drowned bodies, and the hidden histories of navigation and sacred signal transmissions. Rezaire plunges into the colonial remnants interwoven within oceanic passages. CUSS Group’s video works shift the gaze toward downtown Johannesburg, and into unknown augmented worlds. Their work makes a comment on the corporatization of spirituality and the promise of paid for salvation. They use various gestures and the iconography of water to point at the complexities of life in post-apartheid South Africa.<\/span><\/p>\n On the pulse of water<\/strong> pays homage to the intricacies of water, referencing its forms and symbolism. It draws a connection between the contemplations of metaphorical fluidity, the exploration of tragedy, and spirituality.<\/p>\n Curator: Tawanda Appiah<\/span><\/p>\n \u2014<\/span><\/p>\n Technician: Oscar H\u00e4ggstr\u00f6m<\/span><\/p>\n Inspired by Maya Angelou’s “On the Pulse of Day”, We extend our special thanks to the Malm\u00f6 Konstmuseum for their invaluable support during the curatorial research, and Malm\u00f6 Konsthall for their support in production.<\/span><\/p>\n Image: Tabita Rezaire, Deep Down Tidal<\/em>, video still, 2017.<\/p>\n","protected":false},"excerpt":{"rendered":" On the pulse of water CUSS Group, Lisa Tan, Runo Lagomarsino, Tabita Rezaire Sept 23\u2013Oct 29, 2023 Welcome to our Fall exhibition Vernissage Sept 22, 18-22 18.00: Doors open as part of Malm\u00f6 Gallerihelg 19.00: Inauguration On the pulse of water presents an anthology of video art by CUSS Group, Lisa Tan, Runo Lagomarsino, and […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-10588","post","type-post","status-publish","format-standard","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=10588"}],"version-history":[{"count":24,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10588\/revisions"}],"predecessor-version":[{"id":10664,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10588\/revisions\/10664"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=10588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=10588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=10588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span>The exhibition’s title finds its lyrical array.<\/span><\/p>\n