Event starts at 19.00
\nFirst performance at 19.30<\/p>\n
As a part of spelling the wind without words, the artist Matilda Tj\u00e4der has created a series of interventions in response to the exhibition. First out is an evening of performances with Ruby Nilsson together with Ba Bladh and Sanna Helena Berger. The event will be followed by a performance with Rat Section on March 24. Stay tuned for more info!<\/p>\n
breath ; a geometry of speed<\/strong> a geometry of speed breath ; a geometry of speed<\/em> is based on an excerpt from Ruby\u2019s new work fera<\/em>*, rescored and rewritten as a performative intervention in Tj\u00e4der\u2019s spelling the wind without words<\/em>.<\/p>\n *fera<\/em> is a theatre performance exploring dysphoria and dissociation as affective, temporal and spatial states. fera operates at the liminalities of realism. Its name, \u201cfera\u201d (etymologically \u201cwild beast\u201d \/ \u201cto harm\u201d), alludes to what is unbridled and wild in the construction of a life in common. fera is set in an ominous no man\u2019s land, where one waits to be at once included and excluded.<\/p>\n fer<\/em>a is a new work by Ruby Nilsson and is made together with Andria Nyberg Forshage, Ba Bladh, Maja Lindstr\u00f6m, Em Sil\u00e9n and Ida Silfverdal.<\/p>\n Minor Variations<\/strong> As an intervention within Matilda Tj\u00e4der\u2019s spelling the wind without words<\/em>, Berger creates a sculptural setting for both flutes and a composition by wind instruments. Fragments of sound travels through the floors and walls of the building and are both closed off and let into rooms which Berger alters with glass and mirrors. Berger\u2019s variations of Stockhausen pieces for wind instruments are accompanied by a live performance with Angelina Petrovic on flute.<\/p>\n Ruby Nilsson<\/strong> is a dramatist, writer and artist based in Malm\u00f6, Copenhagen and Stockholm. She is educated at the Royal Danish Art Academy and University of S\u00f6dert\u00f6rn. Her work revolves around the relationship between bodies and technologies of writing, often with a focus on different constructions of \u201cthe feminine\u201d.<\/p>\n Ba Bladh<\/strong> is based in Copenhagen and educated at the Royal Danish Art Academy. Their artistic practice focuses on \u201cqueering\u201d binary structures and breaking up linear time through Their performances. With a background in international politics, they mix theory with fiction in the creation of installations and performances.<\/p>\n Sanna Helena Berger<\/strong> is an artist working with site and situation-specific installations with critical agencies and auto-biographic transparency. Architectural interventions, sculpture, sound, text and performance are combined in installations which aim to foster reflexivity within the viewer by reflecting the situation and space within which the art is shown.<\/p>\n","protected":false},"excerpt":{"rendered":" Performances by Ruby Nilsson & Sanna Helena Berger Event starts at 19.00 First performance at 19.30 As a part of spelling the wind without words, the artist Matilda Tj\u00e4der has created a series of interventions in response to the exhibition. First out is an evening of performances with Ruby Nilsson together with Ba Bladh and […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-10320","post","type-post","status-publish","format-standard","hentry","category-performance"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=10320"}],"version-history":[{"count":6,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10320\/revisions"}],"predecessor-version":[{"id":10407,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10320\/revisions\/10407"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=10320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=10320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=10320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nby Ruby Nilsson and with Ba Bladh<\/p>\n
\nwhere ears hurt
\neyes weep
\nand lungs drown
\nfrom things unseen<\/p>\n
\nBy Sanna Helena Berger<\/p>\nBiographies<\/h3>\n