Feb 24\u2013Apr 2 2023
\n<\/b>Vernissage: Feb 24, 6\u20139 pm
\nPerformance by Matilda Tj\u00e4der and Yen Chun Lin: Feb 24, 7 pm<\/p>\n
Performance programme:
\n<\/b>Ruby Nilsson and Sanna Helena Berger: Mar 11, 7 pm
\nRat Section: Mar 24<\/p>\n
Curator<\/b>: Khamlane Halsackda<\/p>\n
In spelling the wind without words<\/i> the wind becomes the artist’s shapeshifting collaborator; an antagonist at times, mender at others, \u2013 and instigator most of the time. Capricious yet quantifiable, the wind is here explored as an agent that interacts with each subject and object it interfaces with \u2013 a protagonist encountered via its material, metaphorical, sentient and infrastructural characteristics. Much like the wind, the performances that activate and intervene in the space are central to this exhibition.<\/p>\n
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A window in the gallery has been opened to make place for an aeolian harp to interact with the outside, calling in the physical presence of the wind. In the language of this harp: if there is wind, there is harmony. This assumption is however contested and interrupted by the breathing organism in which the harp is hosted, that is, the building itself and the ventilation system that penetrates its floors and rooms. These frequencies are like the lungs of a human, filled with information. By amplifying the building\u2019s existing vibrations, it becomes an instrument and mediator of coded noise \u2013 to which the artist invites to a sedimentary listening that allows for slippages between audible and non-audible frequencies.<\/p>\n
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The small gallery has been turned into a listening space where a four-channel sound piece of field recordings and collected stories from interactions with the wind is played. To listen to the wind is also to listen to the pulse of a place \u2013 wiggling its entire body to create movement. Whilst detecting the arteries of this very space, a silhouette of the outside buildings have found their way into the room during the daylight.<\/p>\n
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spelling the wind without words<\/i> is an invitation to tune in past the thin membrane of the exhibition, and to become vulnerable to subtle frequencies and deeper levels of listening.<\/p>\n
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The artist has invited collaborators to intervene with the themes of the exhibition. For the listening space, Asta Lynge<\/strong> has created a scenography. Additional thanks to Tim Bishop<\/strong>: sound technician\/consultant.<\/p>\n <\/p>\n Matilda Tj\u00e4der<\/b> is a Malm\u00f6-based artist, and the current recipient of the Sven and Ellida Hjort\u2019s Grant. From the jury\u2019s statement: \u201cMatilda Tj\u00e4der\u2019s artistic practice is a sharp, resourceful and affective exploration of different worlds. Through experimental storytelling, Tj\u00e4der invites and delicately immerses us into new fictitious worlds, rendering bare the fickle structures of our own world. The works\u2019 dystopian tonality collides with the poetic meditations of text, performance, sound and motion with an undercurrent of humor subtly at play. With careful attention to other sensorial dimensions than sight, Tj\u00e4der leaves room for unexpected openings within the self, where transformation and refusals are always a possibility.\u201d<\/p>\n <\/p>\n About the stipend Matilda Tj\u00e4der spelling the wind without words Sven and Ellida Hjort\u2019s Exhibition Grant Feb 24\u2013Apr 2 2023 Vernissage: Feb 24, 6\u20139 pm Performance by Matilda Tj\u00e4der and Yen Chun Lin: Feb 24, 7 pm Performance programme: Ruby Nilsson and Sanna Helena Berger: Mar 11, 7 pm Rat Section: Mar 24 Curator: Khamlane Halsackda In spelling […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-10235","post","type-post","status-publish","format-standard","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=10235"}],"version-history":[{"count":20,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10235\/revisions"}],"predecessor-version":[{"id":10358,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/10235\/revisions\/10358"}],"wp:attachment":[{"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=10235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=10235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=10235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/b>Sven and Ellida Hjort\u2019s Exhibition Grant is awarded annually to an emerging artist from Sk\u00e5ne. Hanni Kamaly was the first recipient of the grant in 2017, followed by LealVeileby, Ikram Abdulkadir, Cia Kanthi, and Sana Jarrar. The 2022 jury, appointed by the board of Sk\u00e5nes konstf\u00f6rening, consisted of Jon Aagaard Gao (artist), Lena Bergendahl (artist), Khamlane Halsackda (dancer, choreographer) and Jonelle Twum (artistic director, film director).<\/p>\n","protected":false},"excerpt":{"rendered":"